The destruction of the Russian city’s architectural
heritage has contributed to recent anti-government protests
By Sophia Kishkovsky. Web only
Published online: 25 June 2012
Preservationists are voicing growing concerns about Moscow ’s architectural
heritage and the state’s role in ensuring it survives. The controversial
destruction of monuments has contributed to recent anti-government protests in Russia , even though a number of preservationists
believe that Moscow ’s
authorities are doing a better job of saving landmark buildings under Sergei
Sobyanin, who was elected as the city’s mayor in 2010, than under his
predecessor Yuri Luzhkov, who was notorious for allowing historical
architecture to be demolished.
The disputed sites include two that are now controlled by
the state-owned VTB Bank: Dinamo Stadium, which is being redeveloped as a
potential venue for the 2018 FIFA World Cup in a project worth at least Rb20bn
($635m), and Detsky Mir, a children’s store in Lubyanka Square , next door to the former
headquarters of the KGB.
According to Natalia Samover, a co-ordinator of the
Moscow-based Archnadzor movement, which monitors threats to architectural
heritage and organises protests and lawsuits in its fight to save endangered
buildings and monuments, officials ignored the fact that Dinamo Stadium was
listed as a monument. The stadium, built in 1928 by the architects Arkady
Langman and Lazar Cherikover as a homage to athleticism in the Stalin era, was
“the last major sports facility in the constructivist style that was still
preserved in Russia ,”
she says.
“Sobyanin’s new government has made numerous politically
correct statements about the importance of cultural heritage,” Samover says.
“In those places where the city makes decisions, there is progress. Where
vandalism is to the advantage of a powerful state bank, they meekly obey
everything they are told to do,” she says.
The new stadium, provisionally called the VTB Arena, will
have a capacity of up to 45,000 people. The plans include an arena that can
hold 15,000 people and a large area devoted to retail outlets, while a
neighbouring park is earmarked for property development. The Dutch architect
Erick van Egeraat was originally commissioned to create a design that would
preserve part of the stadium’s original walls, but Samover laments the loss of
these walls in the final project. It is being carried out by the American
architect David Manica, who has worked on major arena projects in China .
VTB Arena’s website describes the project as a “harmonious
unity of modernity” that carries out “preservation of the best athletic and
historic traditions”. Russian football fans who want a modern facility cite the
demolition of the original Wembley Stadium in London as a precedent.
Natalya Dushkina, a professor at the Moscow Architecture
Institute, fought for years to save the intricate interiors of Detsky Mir,
which was designed in the 1950s by her grandfather, Alexey Dushkin. The store
was known for its sculptural reliefs of children, arches and marble decor. She
says that Russia
is grappling with how to handle its recent architectural heritage, a process
made more difficult by Soviet ideology and the transition from communism to
capitalism. “The authorities don’t understand that these are monuments,” she
says.
Natalia Samover says that Detsky Mir is also a victim of
the global financial crisis, which hit Russia hard in 2009. Sistema-Hals,
the real-estate development branch of AFK Sistema (a private company with close
links to Yuri Luzhkov, the former mayor), which had been planning to redevelop
the property, failed to make payments on its loans from VTB Bank. The bank
suddenly found itself with major Moscow
real estate on its hands, and is now seeking to maximise the potential profit.
Its involvement with Dinamo Stadium and Detsky Mir amounts to a “destruction of
cultural heritage”, Samover says. “A state bank doesn’t have to think of its
reputation. A commercial bank has to think.”
Anton Merkurov, a web entrepreneur and new-media expert
with almost 35,000 Facebook subscribers and some high-placed connections of his
own, set out to raise interest in the stadium’s fate after discovering that
some bas-reliefs by his grandfather—the Soviet sculptor Sergei Merkurov, who
was known for his monuments to Lenin and Stalin—had survived the initial
demolition.
He met representatives of VTB Bank, who had ignored
Archnadzor’s protests and had refused to comment on the project. Merkurov says
that they promised to include him in further discussions but quickly forgot
their pledge. The bank plans to restore his grandfather’s sculptures and use
them in the new arena, but Merkurov is not impressed. “The conclusion is very
simple,” he says. “They couldn’t care less about architectural heritage.”
No comments:
Post a Comment